She's uncertain if she likes him ...
but she knows she really loves him...
it's a crash course for the ravers ...
it's a Drive-In Saturday
Over the years I have always wavered in my memory between what was actually the first seven-inch vinyl single I actually bought back in the Seventies. I know I definitely purchased it at Smyth's Records on Royal Avenue in Belfast and it was either Golden Years/Can You Hear Me by David Bowie or A Glass of Champagne/Panama by Sailor - the latter some extremely catchy faux-Roxy for the schoolkids.
Today on Bowie's passing I have made an effort to finally confirm the release dates - Tony went to fight in Belfast on the track Star from Ziggy Stardust in 1972 and I picked up the two singles in that security fence-enclosed city centre three years later in 1975 with British soldiers on the street outside the record shop. Golden Years was released in November and apparently the Sailor track was as well. Hence my understandable confusion over the past four decades.
I followed Bowie's career with interest up to the mid-Eighties and the Never Let Me Down album - probably no other major musical artist with the exception of Neil Young and Van Morrison ever produced such high quality output over such an extended period from a late Sixties starting point.
Bowie's musical legacy is truly breathtaking in scope, merit and eclecticism - from Letter to Hermione to Running Gun Blues to the Hunky Dory outtake Bombers to Moonage Daydream to Panic in Detroit . Then in turn from The Who cover Anyway, Anywhere, Anyhow to Big Brother to Win to Station to Station to Be My Wife.
Bowie also resurrected the career of what would become one of the greatest of all British Seventies rock groups and indeed was an enthusiastic sponsor of another fantastic American band who should have become globally successful - Mott the Hoople and Carmen respectively.
I also saw him in concert in 1987 at Slane Castle in the Irish Republic when Humble Pie's Peter Frampton was his guitarist on the Glass Spider tour. Support that day was the late Stuart Adamson and the magnificent Big Country - very nice to see another memorial blog reference this. The weather was not kind for such an historic occasion and remained generally overcast. At one point however some weak milky sun broke faintly through the clouds over County Meath and the Boyne Valley. Bowie immediately moved to the right hand side of the stage and mimed for it to come out fully. It actually did. The gig ended with a performance of the cabaret Time from Aladdin Sane and two Eighties pop hits - Bowie got into his spaceship and I got the coach back north to a then-bitter oul Belfast City.
As for Bowie's affect upon the sexual politics of the time, my very old friend from London - who now works on the other side of the world - underscored to me today in a mail how the singer's embrace of Mick Ronson on the Starman performance on Top of the Pops seems innocuous enough now but of course at the time it came across to Middle England as the queerest and most outrageous thing imaginable. A literal sci-fi broadcast from a parallel Universe of the Damned:
I always loved Bowie's flirtation with gender definition and androgyny. A direct challenge to prevailing learnt attitudes in post-war, repressed Britain and beyond. Men were often men, but not all of them wanted to be the stereotype, nor indeed could live up to it. The day we get to a universal acceptance of freedom of gender expression it will largely have been Bowie to thank for leading the way: many boorish lads in their teens went around 'hating queers' but still buying Bowie, Bolan and Queen records. How's that for confusion?
So today the residual spirit of old London dissipates a significant degree further while - as upon George Best's death a decade ago - another chapter of British folk history comes to closure. Both of these men guaranteeing that next weekend would be very different than the one before.
Unique once-in-a-lifetime antidotes to the kind of straight life which is now being thrown up as the only low-risk pathway to the grave - lives without spark, wit, intelligence, erudition, individuality, suss, good humour, cool, originality or even sexual energy.
Good night David Robert Jones of Brixton SW9 - The Only Survivor of the National People's Gang.